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The Stan Kenton Story
Overview
The Stan Kenton Story --- 2006
Recording locations, recording dates and ℗ dates: 1-1: C.P. MacGregor Studios, Hollywood, between August and September 1941, ℗ 1941 1-2 to 1-5: C.P. MacGregor Studios, Hollywood, November 19, 1943, ℗ 1943 1-6, 1-7: C.P. MacGregor Studios, Hollywood, May 20, 1944, ℗ 1944 1-8: New York City, September 26,1944, ℗ 1944 1-9 to 1-11: C.P. MacGregor Studios, Hollywood, December 15, 1944, ℗ 1945 1-12, 1-13: C.P. MacGregor Studios, Hollywood, January 16, 1945, ℗ 1945 1-14, 1-15: Universal Studios, Chicago, May 4, 1945, ℗ 1945 1-16 1-17: Radio Station WMCA, New York, July 30, 1945, ℗ 1945 1-18 to 1-20: Radio Recorders, Hollywood, October 30, 1945, ℗ 1945 1-21 to 2-5: Radio Recorders, Hollywood, November 27, 1945 (Transcription session), ℗ 1945 2-6 to 2-10: Radio Recorders, Hollywood, December 20, 1945 (Transcription session), ℗ 1946 2-11, 2-12: Radio Recorders, Hollywood, December 26, 1945, ℗ 1946 2-13, 2-14: Radio Recorders, Hollywood, January 14, 1946, ℗ 1946 2-15, 2-16: Radio Recorders, Hollywood, June 4, 1946, ℗ 1946 2-17 to 2-20: Radio Recorders, Hollywood, June 7, 1946 (Transcription session), ℗ 1946 2-21 to 2-24: Radio Recorders, Hollywood, July 12, 1946, ℗ 1946 3-1 to 3-4: Radio Recorders, Hollywood, July 18, 1946 (Transcription session), ℗ 1946 3-5 to 3-8: Radio Recorders, Hollywood, July 19, 1946 (Transcription session), ℗ 1946 3-9: Radio Recorders, Hollywood, July 25, 1946, ℗ 1946 3-10, 3-11: Radio Recorders, Hollywood, July 26, 1946, ℗ 1946 3-12: Radio Recorders, Hollywood, August 2, 1946, ℗ 1946 3-13: RKO - Pathe Studios, New York, January 2, 1947, ℗ 1947 3-14: Radio Recorders, Hollywood, February 13, 1947, ℗ 1947 3-15: Radio Recorders, Hollywood, February 27, 1947, ℗ 1947 3-16 to 3-18: Radio Recorders, Hollywood, February 28, 1947, ℗ 1947 3-19 to 3-22: Radio Recorders, Hollywood, March 31, 1947, ℗ 1947 4-1 to 4-5: Radio Recorders, Hollywood, April 1, 1947 (Transcription session), ℗ 1947 4-6 to 4-8: Radio Recorders, Hollywood, September 24, 1947, ℗ 1947 4-9 to 4-11: Radio Recorders, Hollywood, September 25, 1947, ℗ 1947 4-12: Radio Recorders, Hollywood, October 20, 1947, ℗ 1947 4-13 to 4-16: Radio Recorders, Hollywood, October 22, 1947, ℗ 1947 4-17 to 4-19: RKO - Pathe Studios, New York, December 6, 1947, ℗ 1947 4-20: Broadcast, Century Room, Hotel Commodore, New York, December 13, 1947, ℗ 1947 4-21 to 4-24: RKO - Pathe Studios, New York, December 21, 1947, ℗ 1947 4-25: RKO - Pathe Studios, New York, December 22, 1947, ℗ 1947 "Discographical note: Capitol transcriptions sessions were entirely separate from the phono dates. Titles were not awarded individual master numbers. Instead the "matrix" identifies the 16" lacquer and the number after the dash the track on that lacquer. Thus ET 292-2 means "Begin The Beguine" , was recorded on lacquer number 429 and the chosen take is the second track on this lacquer. More titles were recorded by session because the same level of perfection was not demanded as on phono dates, since transcription recordings were not intended for public sale, though in Kenton's case the difference in quality is minimal." This compilation comes in a carboard boxset which contains the 4 CDs in individual cardboard sleeve, a 48-page booklet with detailed discography, liner notes in English and many photos, and also a 24-page booklet with Proper catalogue. ℗ 2000 Proper Records Ltd. © 2006 Proper Records Ltd. Made in England. Reissue of [r12487759] Label cat. Nr and matrix Nr. original issue : Track 1-2 : Capitol 14197 / 111-3 Track 1-3 : Capitol 159 / 112-2 Track 1-4 : Capitol 15192 / 113-3 Track 1-5 : Capitol 159 / 114-3 Track 1-6 : Capitol EOX 569 / 248-2 Track 1-7 : Capitol 166 / 249-1 Track 1-8 : Capitol 178 / 321-1 Track 1-9 : Capitol 187 / 5224-3 Track 1-10 : Capitol 187 / 525-3 Track 1-11 : Capitol 10040 / 526-2 Track 1-12 : Capitol T-20244 / 547-2 Track 1-13 : Capitol 48012 / 548-1 Track 1-14 : Capitol 202 / 341-4 Track 1-15 : Capitol 202 / 342-4 Track 1-16 : Capitol 219 / 691-9 Track 1-17 : Capitol 219 / 692-6 Track 1-18 : Capitol 229 / 777-2 Track 1-19 : Capitol 229 / 778-3 Track 1-20 : Capitol 250 / 779-5 Track 1-21 : B-99 / ET 424-2 Track 1-22 : B-97 / ET 425-1 Track 2-1 : B-96 / ET 427-1 Track 2-2 : B-97 / ET 427-2 Track 2-3 : B-99 / ET 428-2 Track 2-4 : B-97 / ET 429-2 Track 2-5 : B-99 / ET 430-2 Track 2-6 : B-95 / ET 521-1 Track 2-7 : B-95 / ET 522-1 Track 2-8 : B-95 EOX/WDX - 569 / ET 523-1 Track 2-9 : B-96 EOX/WDX - 569 / ET 523-2 Track 2-10 : B-96 EOX/WDX - 569 / ET 526-1 Track 2-11 : Capitol 235 / 884-4 Track 2-12 : Capitol 235 / 885-1 Track 2-13 : Capitol 298 / 892-2 Track 2-14 : Capitol 250 / 893-2 Track 2-15 : Capitol 273 / 1136-2 Track 2-16 : Capitol 20086 / 1137-2 Track 2-17 : A-9 / ET 1332-2 Track 2-18 : B98/10183 / ET 1333-1 Track 2-19 : A-9 / ET 1333-2 Track 2-20 : B98/10184 / ET 1335-1 Track 2-21 : Capitol 20099 / 1194-1 Track 2-22 : Capitol 20089 / 1195-2 Track 2-23 : Capitol 20088 / 1196-2 Track 2-24 : Capitol 20086 / 1197-1 Track 3-1 : B 100 / ET 1663-2 Track 3-2 : B 251 / ET 1664-1 Track 3-3 : B 100 / ET 1664-1 Track 3-4 : B 251 / ET 1667-1 Track 3-5 : B 252 / ET 1671-1 Track 3-6 : B 252 / ET 1672-2 Track 3-7 : B 252 / ET 1673-1 Track 3-8 : B 252 / ET 1674-1 Track 3-9 : Capitol 20087 / 1217-4 Track 3-10 : Capitol 1008 / 1218-5 Track 3-11 : Capitol 382 & Capitol 382 / 1223-3 & 1222-4 Track 3-12 : Capitol 20088 / 1311-3 Track 3-13 : Capitol 361 / 1280-6 Track 3-14 : Capitol 449 / 1638-6 Track 3-15 : Capitol 10185 & Capitol T-155 / 1665-2 & 1669-5 Track 3-16 : Capitol 387 / 1671-2 Track 3-17 : Capitol 387 / 1672-3 Track 3-18 : Capitol 408 / 1673-3 Track 3-19 : Capitol B 20129 / 1803-6 Track 3-20 : Capitol B 449 / 1804-2 Track 3-21 : Capitol 15194 / 1805-1 Track 3-22 : Capitol 15031 / 1809-2 Track 4-1 : B-311 / ET 2171-1 Track 4-2 : B-332 / ET 2174-2 Track 4-3 : B-332 / ET 2175-1 Track 4-4- B-332 / ET 2176-1 Track 4-5 : B-331 / ET 2177-1 Track 4-6 : Capitol 10126 / 2273-1 Track 4-7 : Capitol 15031 / 2274-2 Track 4-8 : Capitol 10183 / 2275-2 Track 4-9 : Capitol 15005 / 2280-5 Track 4-10 : Capitol 10184 / 2281-2 Track 4-11 : Capitol 10127 / 2282-2 Track 4-12 : Capitol 10124 / 2352-3 Track 4-13 : Capitol 15018 / 2361-1 Track 4-14 : Capitol 10125 / 2362-4 Track 4-15 : Capitol 10126 / 2364-5 Track 4-16 : Capitol 15018 / 2368-4 Track 4-17 : Capitol 10124 / 2667-5 Track 4-18 : Capitol 15052 / 2668-2 Track 4-19 : Capitol 15052 / 2670-3 Track 4-20 : Capitol W 569-5 / 13293 Track 4-21 : Capitol 15039 / 2934-4 Track 4-22 : Capitol T 172 / 2935-5 Track 4-23 : Capitol 57/54-631 / 2936-1 Track 4-24 : Capitol 15117 / 2937-1 Track 4-25 : Capitol 15117 / 2964-2
Tracklist
Artistry In Rhythm
Suite For Saxophones
Do Nothing Till You Hear From Me
Eager Beaver
Harlem Folk Dance
Artistry In Rhythm
I'm Going Mad For A Pad
And Her Tears Flowed Like Wine
Gotta Be Gettin'
Ev'ry Time We Say Goodbye
Are You Livin' Old Man
Balboa Bash
I Want A Grown Up Man
Travelin' Man
Tampico
Southern Scandal
It's Been A Long, Long Time
Don't Let Me Dream
Just A Sittin' And A Rockin'
Artistry Jumps
Painted Rhythm
Blue Music
Body And Soul
Intermission Riff
Easy Street
On The Sunny Side Of The Street
I Surrender Dear
Begin The Beguine
Two Moose In A Caboose
Solitude
No Baby, Nobody But You
Tea For Two
One Twenty
I Never Thought I'd Sing The Blues
Shoo Fly Pie And Apple Pan Dowdy
I Been Down In Texas
Intermission Riff
Four Months, Three Weeks, Two Days, One Hour Blues
Artistry In Boogie
Come Back To Sorrento
I Got The Sun In The Morning
Peg O My Heart
Come Rain Or Come Shine
He's Funny That Way
Ain't No Misery In Me
Artistry In Percussion
Safranski
Artistry In Bolero
Collaboration
Yesterdays
I've Got The World On A String
Ecuador
More Than You Know
Loverman
Scotch And Water
Cocktails For Two
Everybody Swing
Willow Weep For Me
Fantasy
Concerto To End All Concertos, Pts. 1 & 2
Opus In Pastels
After You
Down In Chi-Hua-Hua
Rhythm Incorporated (Capitol Punishment) Pts. 1 & 2
There Is No Greater Love
Across The Alley From The Alamo
Collaboration
The Spider And The Fly
Minor Riff
Machito
Lover
Progressive Jazz
Artistry In Harlem Swing
By The River Ste Marie
April In Paris
Don't Worry 'Bout Me
If I Could Be With You One Hour Tonight
Elegy For Alto
Soothe Me
Chorale For Brass, Piano And Bongo (Prologue, Suite, Second Movement)
Theme To The West
Abstraction (Prologue, Suite, Third Movement)
Fugue For Rhythm Section
Monotony
Unison Riff
Lament
Impressionism
I Told Ya I Love Ya, Now Get Out
Cuban Carnival
The Peanut Vendor
Thermopolae
Over The Rainbow
Metronome Riff
Introduction To A Latin Rhythm (Prologue, Suite, First Movement)
Journey To Brazil (Prologue, Suite, Fourth Movement, Finale)
How High The Moon
Interlude