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Futurpiano

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Futurpiano --- 1995

This discographic edition was made possible thanks to the contributions of the following, to whom we express our gratitude: The music publishers [l35307], for the use of the master of Antheil's music, recorded at the Edipan studios in Rome, published at the time on a 33 r.p.m. L.P. (<A HREF=http://www.discogs.com/release/1245864>"Futurismusik"</A> Linea Obliqua; <A HREF=http://www.discogs.com/release/1667439>"Primitivismo e Mito della Macchina"</A>, Fonoteca); Michael Laing for having provided the music of Lourié's Synthèses; Severo Ornstein for having provided his father's music; [a153304] and [a282639] for having provided Antheil's music. [72'58] Synthèses Op. 16 (1914) Formes en l'air (à [a1397208]) (1915) Suicide in an airplane (1913) Three moods (1914) A la chinoise (1918) Sonatina "The death of machines" (Sonata III, Berlin-Paris) (1923) 20 Preludi De La Femme 100 Têtes - After [a195293] (1932-33) Recording Locations: Auditorio della RSI, Lugano (Lourié - Ornstein) / Studio Edipan, Roma © Daniele Lombardi Front Cover: "Variazione senza tema" (1986) Thanks to Fulvio Sola and Gerry Basso 1995 · Printed & Manufactured in Italy ℗ 6 · 1995 Nuova Era Records Made in Germany [[l624258] logo on rear sleeve] Packaging: standard jewel case with 16 page booklet

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Tracklist

Synthèses Op. 16

Formes En L'Air (À Pablo Picasso)

Suicide In An Airplane

Three Moods

A La Chinoise

Sonatina "The Death Of Machines" (Sonata III, Berlin-Paris)

20 Preludi De La Femme 100 Têtes - After Max Ernst

Labels

Nuova Era

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By Kyle Larson