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Prism: Archive 2002-2004

Overview

Prism: Archive 2002-2004 --- 2022

This release documents studio activity of Kriegsmaschine in its early phase, from the beginning of the band in 2002 until 2004 and features all material released in early phase of operations except "A Thousand Voices" mCD (Blutreinheit 2004), as well as never before released or distributed pre-production versions of two songs later featured on "Altered States Of Divinity" LP. Compiled from original master files with no changes to the sound other than general volume adjustments. Tracks 1 & 2 recorded Dec 2004. Pre-production songs for "Altered States Of Divinity" LP, originally intended as new promo, yet never distributed. Tracks 3 to 5 recorded Feb 2004. Original promo released as a CD-R. Same songs were re-recorded and featured on "A Thousand Voices" mCD later in 2004. Tracks 6 to 10 recorded Jul 2003. Originally released as a CD-R. Re-released as B side of "A Thousand Voices" LP, Goatowarex. Track 10 originally by Countess, recorded during "Devotee" session, not included on original demo. Tracks 11 & 12 recorded Mar 2003. Released as a split 7" with Szron, Garazel Productions 2003, limited to 200 copies. Tracks 13 to 18 recorded Dec 2002 - Jan 2003. Never officially released. Distributed as CD-R with different covers & at times different tracklist. This is the correct/intended version of the debut demo. Total running time: 75:43 According to SID codes this release is either pressed by 8Merch Sp. z o.o. in Poland or P&O (P+O Compact Disc GmbH & Co. KG) in Germany.

Artist Bio

Artist Details

Videos

Tracklist

Pre-production 2004

Prism

Ma'aseh Bereshit

Promo 2004

A Thousand Voices

Unto Wormfeast Flesh

Apostle Of Plague

Devotee

Bloodfetish

Hands Of The Plague Master

B.T.S.

Devotee (Son Of The God Supreme)

In Hate Of Christ

The Flame That Burns Inside

The Flame That Burns Inside

Stigma

Flagrum

Flagrum

Deathcult Supreme

Nuclear

Goathammer Sorcery

Uberhate

Last Dusk Of A Dying World

Labels

No Solace

See video on youtube

By Kyle Larson