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69 Plunderphonics 96

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69 Plunderphonics 96 --- 2001-04-03

• This release compiles most of John Oswald's infamous "[url=http://www.discogs.com/artist/170319-Plunderphonic]Plunderphonics[/url]" recordings, including the 1989 "[m=341431]" album, and the "[r=243243]" EP, which was never released. Tracks 1-13, 1-16 and 1-20 are from the [r=158330] album. • All main artist credits are one-shot fake musician anagrams used by composer John Oswald for a plunderphonic "electroquoting" of their respective real-artist original source recordings. • "69/96" derives from the fact that John Oswald originally created the recordings between 1969 and 1996. These numbers are also used in the package design to stand in for quote marks around John Oswald's "plunderphonics" neologism. • Discs inserted in a 47-page hardcover book. • Track 1-21 duration is listed as 2:45 on release, but is actually 3:35. • Track 1-28 is listed as "1-28a" on the tracklist. • Disc 2 is mastered so that it begins with track number 27, rather than track 1. Tracks 1 to 26 are unplayable. This technical variation makes it impossible for some players to read the disc ("not recognized by Apple computers unless particular software is used under special conditions"). Disc 2 properly begins with Track 2-28. Liner notes: Track 1-1 initial chord is the ultimate sound from the [m=23934] album, a well known collection of songs which is equally well known as a unified and inter-referential aggregate, also known as a concept album. Track 1-2 incorporates the opening of great plunderphonic epic from the mid-sixties, [m=60763], which electroquotes national anthems of the world. Tracks 1-3 to 1-7 constitute the entirety of an EP commissioned by Ekletra Entertainment in 1990 which was never released. A few thousand were pressed for radio. (This radio release was coordinated with the opening of [a528234]'s [url=https://www.discogs.com/The-Doors-The-Doors-An-Oliver-Stone-Film-Original-Soundtrack-Recording/release/797089]Doors[/url] movie in April of 1991 but the connection was never publicly mentioned.) Except for a fix-up in "O'hell" and remastering in "Mother", which was bass-shy in the original, that is more or less an exact replica of the [url=http://www.discogs.com/Plunderphonics-Rub%C3%A1iy%C3%A1t/release/243243]Elektrax[/url] CD-EP. Elektra gave the title Rubáiyat. The Elektrax project (released as Plunderphonics / [url=https://www.discogs.com/Various-Rubáiyát-Elektras-40th-Anniversary/master/63484]Elektra's 40th Anniversary[/url] [PRCD 8247-2]) ensued serendipitously from [url=http://www.discogs.com/label/35282-Elektra-Entertainment]Elektra[/url] president [a257402] and [l652] president [url=http://www.discogs.com/artist/430282-Robert-Hurwitz]Bob Hurwitz[/url]. The Elektrax sequence was: hit song / rave / ballad / ambitious production number / rant. Tracks 1-9 and 1-12 created for a show that [a21149] was creating for [l162979] to celebrate Phil Spector's fiftieth birthday. They both use a function in a computer sequence conducting program, called M, which enables an adjustable amount of randomness in the sequence, so loops of a rhythmic group of sounds can repeat exactly, or change a little, or change a lot. In the original version of Track 1-12 there's an extended [url=http://www.discogs.com/artist/235382-Nino-Rota]Nina Rota[/url] arrangement (from [url=http://www.discogs.com/artist/463623-Federico-Fellini]Fellini[/url]'s "Clowns" movie) following the "Unchained Melody" insert, hacked off in this version. Tracks 1-10 and 1-11 were listed as one track on the original Plunderphonic disc. Both are from an abandoned early eighties project to make a more-or-less backwards Beatles album. Track 1-11: Never-before-released version here also includes a synchronized quote of the word 'forever' from the [m=73013] album. Track 1-13, “madMod”, the verses are constructed by first dividing up the source song “Like A Prayer” into its smallest rhythmic units. These several hundered pieces were loosely recorded according to a pattern. Track 1-15: The version of this song that [l194] released is the wrong one; they had an instrumental bedtrack which they pressed instead of the finished song. So here it is for the first time. Tracks 1-17, 2-42: Spoken word track from [m=463963]. Recorded at Henry Kaiser's studio in Oakland. Programmed synclavier, one word from the poem on each of the notes of the keyboard. Proceeded to play 'Les Barricades Mysterieuses', and this is what came out. Track 1-18: [a47621] asked [John Oswald] to create something. It was a couple of years before [he] sent him this track. Track 1-21: The last chorus features Dolly singing a duet with himself. Track 1-27 isn't a song - it's a story of the sort you might hear on the radio or in a talking book. Think of the remainder of the disc, following "Dab", as a transition to "Tunes", with "Case Of Death" as [a] respite which bridges the discs. Track 1-28 was originally on the "Tunes" disc before [running] out of room. [It is a] transitional piece. It's the intermission. It is the only piece where one of the original performers had some editorial input. It's a bridge. The "Tunes" disc properly begins with "Andy". Track 2-29 created for a Flemish television director who wanted something Straussian. In 1993 [John Oswald] bought every version of 'Also sprach Zarathustra' available on CD. There were two dozen of them, lined up on a multi-track so the horn entry begins at the same point for all tracks. Track 2-30 is compiled from the various tracks on one of Metallica's [url=http://www.discogs.com/Metallica-And-Justice-For-All/master/6571]album[/url]s. Track 2-32 consisted of two wild-synced versions of the tune 'In A Mist'. Tracks 2-33, 2-37 to 2-40 is the beginning of a Chuck Berry tune attached immediately to the end of the same tune. Track 2-36e refers to the inadvertent quote of 'Quartet For The End Of Time' which is embedded in it. Track 2-44 has been transcribed for orchestra as a movement from a German ballet called "Die Offnüng". Tracks 2-49, 2-56, 2-57 from a suite of pieces: Lieu dWig Wand/Bay/Tow v&, pronounced 'Ludwig van Beethoven'. Track 2-45 from a half inch co-master reproduced in a tube deck prepared by [url=http://www.discogs.com/label/93546-Sheffield-Lab]Sheffield[/url]. Track 2-46 is stretched to be about a half minute longer than the one on [url=http://www.discogs.com/Plunderphonic-Plunderphonic/release/231483]Plunderphonics[/url]. Track 2-48 consists of a five minute excerpt from a solo concert by each performer. The concerts occurred over a span of 10 years. [John Oswlald] combined them without editing to create a free jazz ensemble with all sorts of interplay, but its all fake. Track 2-55 didn't have a title on the Plunderphonic CD. A completely different arrangement, on the same instrument. Four music boxes; with the boxes removed, (so it's just the mechanisms). Track 2-58: This is the same track that has been [url=https://www.discogs.com/Various-CMCD-Six-Classic-Concrete-Electroacoustic-And-Electronic-Works-1970-1990/master/463249]released[/url] a couple times on [url=https://www.discogs.com/label/5606-ReR-Megacorp]ЯēR[/url] with the title 'Parade.' Which can be pronounced the same, as 'pear-aid', or, in Erik Satie's French, it's closer to 'Par-odd'. Track 2-59: The version of "Rainbow" is quite different from the one on the Plunderphonic CD. This is that track in reverse. Both "Rainbow" and "1001" are from the same source material. Track 2-60: 24-track tape playback and mixer arrangement where each of the stereo tunes was assigned a volume slider on the mixer, called the Schlockotron, played by adjusting the sliders. G.Ray Brain (Mlab), Phil Strong (Sonamulab), Jim Paterson (Fony) Date of recreation, from tracklist: Tracks 1-1, 1-23 to 1-26, 2-30, 2-31, 2-41, 2-52, 2-55, 2-59: 1989 Track 1-2: 1975 Tracks 1-3 to 1-9, 1-12, 2-25: 1990 Tracks 1-10, 2-32, 2-45: 1987 Tracks 1-11, 2-53: 1980 Tracks 1-13, 2-29, 2-36, 2-60: 1993 Tracks 1-14, 1-15, 1-18, 2-54: 1996 Tracks 1-16, 1-20: 1992 Tracks 1-17, 1-21, 1-22, 2-42, 2-46, 2-48, 2-50: 1988 Track 1-19: 1994 Tracks 1-27, 2-27, 2-44, 2-49, 2-56, 2-57: 1991 Track 1-28: 1983 Track 2-28: 1977 Tracks 2-33, 2-34, 2-37 to 2-40: 1969 Tracks 2-43, 2-58: 1986 Tracks 2-47, 2-51: 1995 Anagrams & wordplay, etc., throughout liner notes: [a223385]: Harold Filet Alex Varty: Valery Tax Andy Griffith: Dang Fishy Rift Annie Lennox: Neal Oxen-Inn Barre Phillips: Sire Ralph Blip Beatles: Let As Be, Sable Teeth [url=http://www.discogs.com/artist/50077-William-S-Burroughs]Bill Burrows[/url]: Boris Hullburg Bill Frisell: Sir Bellfill Bill T. Jones: Jon Be Still, Ill Bon Jest Bing Crosby: Cry Big Snob Bob Hurwitz: Burt Whobiz [a143457]: Abbot Gorse “[url=http://www.discogs.com/Beatles-Old-Brown-Shoe-Blue-Jay-Way/master/475873]Blue Jay Way[/url]”: Yule Jaw Bay Bob Wiseman: Bambi Owens “[m=26701]”: Burnish A Tone Brian Robertson, president of the [l140139]: Rabbi Nero Snort, Iron Barb Sterno, Abner Rotor-Nibs, Born Sober Train, Stern Boor Brain Brian Wilson: Blown Raisin Brother J.C. Crawford: Mother Brashrock [a219986]: Princess Bent Urge [url=http://www.discogs.com/artist/306884-Carl-Stalling?type=Credits]Carl Stallings[/url]: Lars Clintslag Carly Simon: Slim Crayon Cecil Taylor: Ace Icy Troll Charlie Parker: Rachel Airperk [a65707]: Anarchy Scar Limit Christopher Butterfield: Ditch Filbert Proust Here Claude Debussy: Lucy Dee Dubass [a510516]: Vivaldi Eucre Count Basie: Botanic Sue, Casino Tube, Bacon Suite, Tonic Abuse, Tuba Cosine David Gans: Dang Davis Dick Hyman: Micky Hand Dolly Parton: Lloyd Patron, Lola Don’t Pry [a145257]: Elton Luke Ding, Godlike Tunnel “[r=2162291]”: Bed Bite [a32187]: Adverse Grade Edie Brickell: Billie Decker [a135885]: Nelson Jive Elvis Presley: Sleepy Sliver Erik Satie: Ike Satire Ernest Cholakis: Rachel Kisstone Faster Pussycat: Tasty Surf Space, Faust Spray Sect Fine Young Cannibals: One Fin Guy In Lab Scan George Martin: Matron Geiger Glenn Gould: Golden Lung [a21715]: Manfred Slagtrash Grateful Dead: Late Drug Fade Great Bob Scott: Barb Togs Octet Gregory Kozak: Ozark Gyro Keg Hal Willner: Allen Whirl [url=http://www.discogs.com/artist/313097-Harry-James-2]Harry James[/url]: Rash Rye Jam, Raja Myers Henry Kaiser: Herr Easy Ink, Yearn Shriek Holly Small: All Shy Moll Jennifer Mascall: Jensen Clamflair [a229194]: Sir Jewelry Eel Jim O’Rourke: Joe Murk-Rio [a26955]: Enoch Jag John Oswald: Don Ashjowl [a99731]: Horn Joz Jon Spencer Blues Explosion: Jensen Cool Unisex Slob Prep “[m=64011]”: Atom Thick Jukes Kim Gordon: Dog Kin ROM Kronos Quartet: Squeek Nor Trot, Quart Toe Snort [a204161]: Struck The Wrist Larry Dubin: Burly Nadir Laurence Lemieux: Emcee Unix Allure “[m=34627]”: Leaky Rapier Ludwig van Beethoven: Vaughn von Lewdbite, The Gun-View Love Band, New Evolving Butthead, We Love Big Nude Hat, One Velvet Windbag Hun Madonna Ciccone: Edna Comic-Cannon Marvin Green: Rev. Grin Amen Metallica: Tame Lilac Michael Jackson: Calm Nose Hijack, Nasal Chime Jock, Slick Macho Jean Michael Snow: Wilma Schoen Naked City: Candy Kite Nina Rota: Anna Riot Nomiya Maki: Amy Mini-Oak [a1397208]: Lisa Poopscab [a1644829]: Andy Lapel-Scar Paul McCartney: Uncle Arty Camp Paul Plimley: Lily Pealump Philip Strong: Sling Triphop, Lingo Thripps Phil Lesh: Hip Shell Pizzicato Five: Vito Pizza Cafe Public Enemy: Eye Climb Pun [a20991]: Lens Groin Slot Rubáiyát: Airy Tuba [a195296]: Dada Visa Roll “Sgt. Pepper’s Lonely Hearts Club Band”: Tally Ho Peppergrass Teen Dub Blanc Sinéad O’Conner: Edna Icon Snore Steve Lacy: Yves Cleat “[url=http://www.discogs.com/Beatles-Strawberry-Fields-Forever-Penny-Lane/release/1093269]Strawberry Fields Forever[/url]”: Refer For Very Weird Blast [url=http://www.discogs.com/artist/96263-Tape-Beatles-The]Tape Beatles[/url]: Basalt Tepee, Bee Ate Splat [a145256]: Eskimo Hunt Loon “[m=86074]”: Hindu Money Decal [a259398]: Dave Skyprank Yamatsuka Eye: Sue May Eat Yak “[m=117180]”: You’re So [url=http://www.discogs.com/artist/499264-Warren-Beatty]Warren’[/url] - [url=https://www.discogs.com/artist/38863-Aretha-Franklin]Aretha[/url] [url=https://www.discogs.com/artist/22193-Milli-Vanilli]Vanilli[/url] [url=https://www.discogs.com/artist/164571-Bing-Crosby]Bing[/url] [a13961][url=https://www.discogs.com/artist/219986-Bruce-Springsteen]spreen[/url] [url=https://www.discogs.com/artist/39677-Bono]Bo No[/url] 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[url=https://www.discogs.com/artist/272788-Spinal-Tap]Spinal[/url] [url=https://www.discogs.com/artist/113655-ZZ-Top]Top[/url] [a119009] & [url=https://www.discogs.com/artist/386605-Toni-Tennille]Tenille[/url] [url=https://www.discogs.com/artist/179038-Donovan]Don O[/url]’[a255411] [url=https://www.discogs.com/artist/57477-Deborah-Harry]Debbie[/url] [url=https://www.discogs.com/artist/46373-Billy-Idol]Idol[/url] [url=https://www.discogs.com/artist/103687-Dire-Straits]Dire[/url] [url=https://www.discogs.com/artist/12937-Faith-No-More]No More[/url] [url=https://www.discogs.com/artist/52833-Frank-Sinatra]Frank Sin[/url][url=https://www.discogs.com/artist/92623-Frank-Zappa]appa[/url] [url=https://www.discogs.com/The-Allman-Brothers-Band-The-Allman-Brothers-Band/master/17260]Allman[/url] [url=https://www.discogs.com/artist/110252-Derek-The-Dominos]Dominoes[/url] [url=https://www.discogs.com/artist/159350-They-Might-Be-Giants]They Might Be[/url] [url=https://www.discogs.com/artist/246650-The-Grateful-Dead]Grateful[/url] [a66025] [url=https://www.discogs.com/artist/256185-Squeeze-2]Squeeze[/url] [url=https://www.discogs.com/artist/16622-C-C-Music-Factory]Factory[/url] [a94066] Fudge & [url=https://www.discogs.com/artist/63319-John-Oates]Oates[/url] [url=https://www.discogs.com/artist/6520-U2]U[/url]-[url=https://www.discogs.com/artist/242415-The-B-52s]52s[/url] [url=https://www.discogs.com/artist/2725-Depeche-Mode]Depeche[/url] [url=https://www.discogs.com/artist/254538-Bob-Mould]Mould[/url] [url=https://www.discogs.com/artist/39765-Emerson-Lake-amp-Palmer]Emerson Lake[/url] & [url=https://www.discogs.com/artist/28970-The-Smashing-Pumpkins]Pumpkins[/url] [url=https://www.discogs.com/artist/62391-Marianne-Faithfull]Marianne[/url] [url=https://www.discogs.com/artist/12937-Faith-No-More]Faith No[/url] [url=https://www.discogs.com/artist/92577-Morrissey]Morrisey[/url] [a16655] 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