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Tatsuya Yoshida

[b]Do not confuse with electronic producer [a=Tatsuya Yoshida (2)][/b] ([a=Joseph Nothing], [a2207722]) Tatsuya Yoshida (b. Jan 9, 1961) is a prominent Japanese avant-garde/jazz/experimental drummer, composer, producer & sound engineer, one of key figures on Japan's underground scene. Founder of the innovative rhythm section duo [a=Ruins] (plus a few [i]Ruins[/i]-related projects), zeuhl band [a=Koenjihyakkei], prog/fusion/polyrhythmic jazz trio [a=Korekyojinn], acapella vocal group [a=Zubi Zuva]/[a=Zubi Zuva X], etc. Runs [l43665] label and the [url=https://discogs.com/label/308942]eponymous studio[/url]. Since the early eighties, Yoshida had played and collaborated with many critically praised Japanese bands, such as [a=Zeni Geva], [a=High Rise (2)], [a=YBO²], [a=Musica Transonic], [a=Vasilisk], [a=Dissecting Table], various [l40165] units, [a=ZOA], and [a=Aburadako]. Nicknamed "devil from the East," Tatsuya Yoshida is an extremely prolific and technically skilled drummer, praised for his vicious raw energy and the ability to play superhumanly fast while keeping even the most complex rhythmic structures sharp and pristine. The drummer has worked with the entire avant-garde 'hall of fame' of the last four decades, from [a=Fred Frith] and [a=Derek Bailey] to [a=Keiji Haino] and [a=Otomo Yoshihide]. [a=John Zorn], who praised Tatsuya as an "undisputed master drummer of the Japanese underground," invited him to play in the seminal jazz/grindcore unit [a=PainKiller (2)] on several occasions after [a4417]' departure, and had a huge impact on Yoshida's recognition overseas. Tatsuya was a long-time collaborator of a controversial noise artist [a=Juntaro Yamanouchi]. He participated in one of [a=The Gerogerigegege]'s very few documented early 'secret shows' (which were happening at fetish/S&M gay clubs), released on '91 [m=846745] CD. In January of 1987 at a private Hanzōmon residence in Tokyo, Yoshida (equipped with vibrator, whip & enema) joined J.Y. on toy instruments to create a rather sparse accompaniment for [a=Gero 36] who screamed and moaned in pleasure and pain while masturbating and self-pleasuring/torturing in every unimaginable way. According to the '[i]Live History (1986~1990)[/i]' list in the booklet, it was the Gerogerigegege's third-ever concert: just a couple months after Nov '86 'maiden voyage' at [i][l268768] Auditorium[/i] and the same week the band played at [l=Antiknock] in Shinjuku. Tatsuya Yoshida also played drums and announced tracks on '94 thrash/[i]1-2-3-4 noisecore[/i] [r=750528]—perhaps the loudest and harshest Gerogerigegege's albums to date. Finally, Yoshida mastered several of the band's albums, including an hour-long minimal ambient/drone [r=834441] '99 CD, and their last official release prior to 2001–16 hiatus, [r=834449] CD EP.