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Pedestrian Deposit

The music of J. Borges and Shannon Kennedy of Pedestrian Deposit could best be described as highly composed, focused and dynamic, experimental music that draws on their widely varying music talents. From Borges’s interest in such areas as electronics, tape loops, sampling, field recording, and feedback, to Shannon’s use of classical instruments, contact mics and manipulated metal objects, the duo combine elements of musique concrete, ambient, drone, classical and harsh noise. J. Borges began Pedestrian Deposit in the Winter of 2000, with the concept of combining layers of electronic sound with no pre-determined relation to one another until mixed. The project slowly evolved to incorporate elements of harsh noise, tape collage, field recordings and glitch music, resulting in a prolific few years of rich and dynamic compositions on such labels as [l=Hospital Productions], [l=Hanson Records] and J’s own label, [l=Monorail Trespassing], to name a few. After a few years hiatus, Pedestrian Deposit returned in the fall of 2008 with the addition of multi-instrumentalist and visual artist Shannon Kennedy, and her elements of cello, violin and amplified, bowed and manipulated objects. They have consistently toured the United States nearly every year since, placing an emphasis on the development and evolution of physical, psychological and organic live performance. PD has appeared at such events as the 2009 No Fun Fest in Brooklyn, New York; the 2010 ’Activating The Medium’ festival in San Francisco, CA; the 2013 Milwaukee Noise Festival in Milwaukee, Wisconsin; the 2014, 2015 and 2019 Ende Tymes festivals in Brooklyn, NY; the 2015 LUFF festival in Lausanne, Switzerland; the 2016 Click Festival in Helsingør, Denmark; and the 2017 Recombinant Festival in San Francisco — in addition to innumerable venues, galleries, halls, bars and makeshift spaces in the U.S., Canada and Europe.